Sara's Art-Works

Ads - Ad02    SelfPortrait - 02    Art Work - Pride of the Fleet    Motorcycles Kustom-work - Bike-Art-Work-2    Kustom Guitars - Outlaw Guitar Close-Up    Art Work - Ink and Iron show poster    Art Work - Ruined and Wasted    SelfPortrait - 04    Art Work - Jungle Bar    Ads - Ad05   
Sara Ray in the LA Times
Written by Sara Ray   
Thursday, 27 March 2008

Southern California, the home of

 paint noir

By -- Mindy.Farabee @latimes.com

March 27, 2008

TABLOID images. Murderous throngs. Devilish B-movie characters. In three new gallery shows across town -- "Are You Going With Me?" at Ambrogi/Castanier, "Hollywood Apocalypse" at Black Maria and "The Devil Lives in Long Beach" at Two Bits -- L.A. once again takes stock of itself and comes up noir.

"It's an exaggerated way of describing what's going on all around us," says Black Maria owner Zara Zeitountsian. In the wake of a writer's strike, mortgage drama and massive wildfires, L.A.'s mood, she says, has grown more moody as of late. That only made the timing more apropos for another of Black Maria's intermittent and, ahem, uncomplimentary Hollywood-centered affairs. Assembled by guest curator Ray Zone, this show has as its central conceit representations of "The Burning of Los Angeles," a fictional painting of an infamous mob described in Nathanael West's novel "The Day of the Locust." Various artists contributed works widely varying in content and tone.

At Edward Walton Wilcox's show "Are You Going With Me?" however, the theme is reproachful gaze. Wilcox uses glazes, paint removers and a sepia palette to construct glossy memento moris such as substance-abusing young blonds and Neutras flambés. Playing off the lurid Gothic Romantic style, Wilcox says his works, like the movement he references, rebuke and seduce. Gothic Romanticism's "dual function is something I discovered while working on the paintings," he says. "It was a moral critique, but could also be construed as pandering to the very audience it was critiquing. It makes you ask, is this turning me on or off?"

In Sara Ray's first solo show -- closing Sunday at Two Bits Gallery -- the artist took inspiration from "The Wild One"-era Long Beach, paying homage to what she calls the underbelly lingering beneath fancy new lofts. For example, her painting "Jungle Bar" features a Lili St. Cyr-esque beauty with preternaturally blond hair, flanked by man-feline escorts, around whom her cigarette smoke curls into a diaphanous bear trap.

Ray, a B-movie aficionado, likes to invoke a smirking noir. "It's not supposed to scare anyone from going over the other side of the tracks," Ray says. "In Long Beach you can get into or stay out of any trouble you want."

THE DEVIL LIVES IN LONG BEACH

WHERE: Two Bits Gallery, 915 E. Wardlow Road, Long Beach



WHEN: 2 p.m. Sun. closing party



PRICE: Free



INFO: (562) 761-7966; www.twobitsgallery.com
 
UNDERWORLD USA ~ Article from the Long Beach District
Written by Sara Ray   
Thursday, 06 March 2008

UNDERWORLD, U.S.A.

Artist Sara Ray’s sinister paintings draw from Long Beach’s underbelly


SARA RAY’S “THE TROUBLE WITH ZOMBIES”

“I’m not sure where the idea for this came from,” artist Sara Ray says as we regard Driven by Demons, one of about 20 of her oil paintings that you’ll see this March in “The Devil Lives in Long Beach,” her solo show at Greg McCormack’s Two Bits Gallery.

It’s a nighttime scene of wispy toxic green ghosts chasing a purple early Ford five-window coupe through a ranch-style fence and nearly off a cliff. They’re slightly Raiders of the Lost Ark-y, if you’re of a certain age—but good—and the Ford, well, it’s a hot rod.

“I was probably really depressed,” says Ray, a longtime Long Beach artist who moved to Whittier for the location—a 1919 back house—and, of course, the parking. Or maybe she was thinking about Long Beach.

You can’t literally see our city in what Ray paints, but she readily admits that Long Beach’s waterfront spirit still informs her work.

“Something about a seedy port town—the only thing that Long Beach is missing is the old Pike [amusement park] and it would be perfect,” says Ray, who is still moving out of her home in North Long Beach. “It already has the feeling. You have huge swaths of suburbia but then you have these border town areas. You can either get into or stay out of anything depending on your mood.”

On canvas, Ray’s mood usually gets her characters into trouble; in The Trouble With Zombies—a scene of a ’50s sweater girl beckoning three zombie juvie delinquents in a Ford roadster—there’s a pervasive sense of menace that lingers after you look away. It’s the same feeling you might get from driving certain streets here at night.

“It’s not underworld but maybe underground things—hot rods and customs,” Ray says of the avenues she drove in her longtime ride, a ’69 Nova. “Maybe the devil doesn’t live in Long Beach but he has a vacation home here.”

SARA RAY: THE DEVIL LIVES IN LONG BEACH
TWO BITS GALLERY | 915 E WARDLOW RD | LONG BEACH 90807  562.761.7966 | SARARAY.COM | OPEN BY APPOINTMENT

 read article on its original page here http://thedistrictweekly.com/print/arts/visual/underworld-usa/

Last Updated ( Thursday, 06 March 2008 )
 
original solarflare design by rhuk
lunarized by joomlashack